Limericks for Hedy Lamarr

     When seeking to draft a poem quickly, it is useful to have some sort of pattern to follow -- a pattern helping to dictate word choice.  This morning, upon discovering Google's online celebration of the 101st birthday of inventor and actress Hedy Lamarr, I have wanted to join the commemoration with a poem.  A verse pattern rather often used by hasty math writers is the limerick (see links below) -- and I have today constructed this pair of limericks to praise Lamarr.

     May a beautiful actress present
     Skills beyond stage and screen content?
          Yes!  Hedy Lamarr
          Excelled as a star,
     And had also talent to invent!  

Geometry of baseball

Many poems are written of baseball; a few of them involve mathematics --  see the posting for April 9, 2010 for math-related baseball poems by Marianne Moore (1877-1972) and Jerry Wemple; see the posting for September 18, 2011 for one by Jonathan Holden.
     Today I feature the opening stanza from a baseball poem by Pennsylvania poet, Le Hinton.

from   Our Ballpark    by Le Hinton

       This is the place where my father educated us:
       an open-air school of tutelage and transformation.
       This is where we first learned
       to count to three, then later to calculate the angle
       of a line drive bouncing off the left field wall.
       We studied the geometry and appreciated the ballet
       of third to second to first, a triple play.
              . . .

To add two and two

     Today I call attention again (as in my post for 6 January, 2015) to the extensive  Science-Poetry collection edited by Norman Hugh Redington and Karen Rae Keck. Mathy (rather than bawdy) limericks are featured in the collection; for example, this one by an unknown author:

       There was an old man who said, "Do
       Tell me how I'm to add two and two?
            I'm not very sure
            That it doesn't make four --
       But I fear that is almost too few."  

Logic in limericks

In these lines, Sandra DeLozier Coleman (who participated in the math-poetry reading at the Joint Mathematics Meetings in Baltimore in January) speaks as a professor reasoning in rhyme, explaining truth-value technicalities of the logical implication, "If p then q" (or, in notation, p -- > q ).

     The Implications of Logic     by Sandra DeLozier Coleman

     That p --> q is true,
     Doesn’t say very much about q.
     For if p should be false,
     Then there’s really no loss
     In assuming that q could be, too.  

Poems and primes

Friday morning, 1-17-2014, looking north from the Baltimore Convention Center

       This past week I enjoyed Thursday and Friday at the Joint Mathematics Meetings at the Convention Center in Baltimore, a time for connecting with some old friends and making some new ones.  I gave a presentation in one of the sessions on the Intersection of Mathematics and the Arts, sharing poems -- such as Sherman Stein's "Mathematician" -- that can help non-maths to understand more clearly the nature of mathematics.  The handout for my talk contained a list of more than thirty poems that can help to communicate the nature of mathematics and it is available for download here. 

OEDILF - the Limerick Dictionary

     At this site  Editor-in-Chief Chris Strolin is coordinating development of OEDILF: The Omnificent English Dictionary In Limerick Form.  So far, definitions are available (and being submitted) for terms beginning with letter-pairs Aa - Fd -- and completion of the dictionary is predicted at the OEDILF website for 2043.
     I have mentioned OEDILF before -- on 5 December 2012 and 29 March 2010. And today I offer a draft limerick about "factors" -- I am at this point, however, dissatisfied with my use of the plural rather than simply "factor."  More work needed.

Limericks and a Cardioid -- for Valentine's Day

     Oh, math-lover most divine,

     for you this mathy Valentine --

          found when I looked
          in a calculus book --  
     a cardioid is the heart-sign. 

That's so random! (NPR, OEDILF, etc.)

     One of the challenges I face in friendly conversations is not to overreact to a "misuse" of the word random.  When I hear someone use that word to describe events that are peculiar or haphazard my heart-rate rises in protest.  It is as if I am in math class where every term has one, quantifiable definition -- my use of random describes a situation when a variety of things may happen and all of them are equally likely.  Like when a fair coin is tossed, or a die.  Or when a lottery ticket is selected.
     Recently my attitude was aired nationally. Sort of.  On Friday, November 30, NPR's Evening Edition featured a discussion of random.  Written by commentator Neda Ulaby, "That's So Random:  The Evolution of an Odd Word" mentions the 1995 film "Clueless," a comedian (Spencer Thompson), the Hacker's Dictionary  -- and also includes comments from the Oxford English Dictionary's editor, Jesse Sheidlower. I am rethinking my stubborn position.

What are the chances?

Ohioan Miles David Moore is an active participant in Washington, DC literary activities, including a reading series at Arlington's Iota Cafe.  The voice of his literary creation, Fatslug, adds jest and pathos to many readings.  In the poem below, Fatslug is victim of choice and chance:

Pipher -- Math experiments, Pi

     'Tis a favorite project of mine

     A new value of pi to assign.

          I would fix it at 3

          For it's simpler, you see,

     Than 3 point 1  4  5  9.

Poetry with Math -- BRIDGES 2012, Limericks

During July 25-29, 2012, Towson University will be hosting BRIDGES 2012, a mathematics-and-the-arts interdisciplinary conference. This year's conference will feature a poetry day on Saturday, July 28. -- an event that is free and open to the public as are all "Family Day" conference activities after 2 PM.  Mark your calendar.  More information is available at the end of this post (scroll down) and at the BRIDGES website.

  This weekend in Washington, DC (April 28 - 29, 2012)

enjoy "the largest celebration of science in the USA" --

visit the FREE USA Science and Engineering Festival -- 

featuring more than 3000 exhibits. 

We note here once again the coincidence that comes with April -- when we celebrate both National Poetry Month and Mathematics Awareness Month.  Here are three limericks (bawdy, of course) by John Ciardi (1916-1986) that celebrate data collection and numerical information. 

Poems with Numbers

      Hats off to the organizers and presenters at the 2012 Split This Rock Poetry Festival held in DC this past weekend.  Great poets, great programs, fantastically good company all around!!!

      Saturday at the festival,  Denny Shaw and I led a panel-workshop, "Counting On," in which we encouraged poets to use numbers to illuminate their poems of witness and protest.  Our samples of vivid effects of numbers included:  "At Arlington" by Wiley Clements, "The Idea of Ancestry" by Etheridge Knight, "Numbers for the Week" by Joan Mazza, “On Ibrahim Balaban’s Painting ‘The Prison Gates’” by Nazim Hikmet, “The Stalin Epigram” by Osip Mandlestam, “Bosnia, Bosnia” by June Jordan, “The Terrorist:  He’s Watching” by Wislawa Szymborska, and “Four Five Six” by Rosemary Winslow.

     Poetry from our workshop participants will be posted here when it is gathered.  We focused on humanitarian and political concerns -- and used our workshop writing times to try for  poems that use numbers in their imagery.  Here are two samples from me (both syllable-squares).

     Our jails hold

     5 times more 

     blacks than whites.

Two ways to compute 1/3

Here, from Betsy Devine and Joel E Cohen, is a "mathematical" limerick:  
     

An Integral Limerick

April: along with baseball we celebrate poetry and mathematics

Is it coincidence or design that

     April  is  National Poetry Month
            
           and

   April  is  Mathematics Awareness Month
          (This year's theme is  "mathematics and sports")

In my own reading, baseball is the sport for which I have found the most poetry.

"Mathematical" Limericks

A dozen, a gross, and a score
Plus three times the square root of four
     Divided by seven
     Plus five times eleven
Is nine squared and not a bit more.