Miroslav Holub (1923-1998), Czech poet and immunologist who excelled in both endeavors, is one of my favorite poets. He combines scientific exactitude with empathy and absurdity. Here is a sample:
Brief Reflections on Logic by Miroslav Holub
translated by Stuart Friebert and Dana Habova
The big problem is everything has
its own logic. Everything you can
think of, whatever falls on your head.
Somebody will always add the logic.
In your head or on it.
Showing posts with label cube. Show all posts
Showing posts with label cube. Show all posts
Saturday, February 28, 2015
Monday, April 21, 2014
A Cento from Arcadia
Last week I had the enjoyable privilege of visiting with mathematician-poet Marion Cohen's math-lit class, "Truth and Beauty" at Arcadia University -- and the class members helped me to compose a Cento (given below), a poem to which each of us contributed a line or two of poetry-with-mathematics. Participants, in addition to Dr. Cohen and me, included these students:
Theresa, Deanna, Ian, Collin, Mary, Grace, Zahra, Jen, Jenna,
Nataliya, Adeline, Quincy, Van, Alyssa, Samantha, Alexis, Austin.
Big thanks to all!
Theresa, Deanna, Ian, Collin, Mary, Grace, Zahra, Jen, Jenna,
Nataliya, Adeline, Quincy, Van, Alyssa, Samantha, Alexis, Austin.
Big thanks to all!
Tuesday, April 15, 2014
Dimensions of a soul
In the poem below, Young Smith uses carefully precise terms of Euclidean geometry to create a vivid interior portrait.
She Considers the Dimensions of Her Soul by Young Smith
The shape of her soul is a square.
She knows this to be the case
because she often feels its corners
pressing sharp against the bone
just under her shoulder blades
and across the wings of her hips.
She Considers the Dimensions of Her Soul by Young Smith
The shape of her soul is a square.
She knows this to be the case
because she often feels its corners
pressing sharp against the bone
just under her shoulder blades
and across the wings of her hips.
Wednesday, April 2, 2014
Can you SEE the monument?
Links to non-intersecting celebrations of April
as National Poetry Month and Mathematics Awareness Month
as National Poetry Month and Mathematics Awareness Month
Recently I revisited my copy of Elizabeth Bishop: The Compete Poems, 1927-1979 (FSG, 1999) and turned to "The Monument" -- a poem mathematically interesting for its geometry. Here are the opening lines; the complete text and many other Bishop poems are available online here:
from The Monument by Elizabeth Bishop (1911-1979)
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Labels:
angle,
box,
Carol Frost,
cube,
Elizabeth Bishop,
half-way,
line,
monument,
parallel,
side
Monday, February 10, 2014
To love, in perfect syllables
While looking for Valentine verse with a math connection, I opened my copy of The Complete Illustrated Works of Lewis Carroll (Chancellor Press, 1982). And found this one in which Carroll (a pen name for English mathematician Charles Lutwidge Dodson (1832-1898)) uses the word one twice and the word half twice and has counted sounds so that in each line the number of syllables is either a cube of an integer or is perfect.
Lesson in Latin by Lewis Carroll (May 1888)
Lesson in Latin by Lewis Carroll (May 1888)
Labels:
Charles Lutwidge Dodson,
count,
cube,
half,
Lewis Carroll,
love,
mathematician,
mathematics,
one,
Pablo Neruda,
perfect,
Valentine
Tuesday, December 3, 2013
Conversational mathematics
In recent weeks I have been experimenting with poems that use mathematical terminology, wondering whether -- since there are readers who are undaunted by unknown literary references (to Dante's Divine Comedy or Eliot's Prufrock, for example) -- some readers will relish a poem with unexplained mathematical connections. In this vein I have offered "Love" (posted on on November 5) and now give the following poem, "Small Powers of Eleven are Palindromes":
Labels:
Catalan,
cube,
irrational,
JoAnne Growney,
language,
mathematics,
number,
palindrome,
perfect,
poem,
power,
twin primes
Monday, November 12, 2012
Finding fault with a sphere . . .
On November 9 I had the pleasure (hosted by Irina Mitrea and Maria Lorenz) of talking ("Thirteen Ways that Math and Poetry Connect") with the Math Club at Temple University and, on November 5, I visited Marion Cohen's "Mathematics in Literature" class at Arcadia University. THANKS for these good times.
This
Fib
poem
says THANK-YOU
to all those students
from Arcadia and Temple
who participated in "math-poetry" with me --
who held forth with sonnets, pantoums,
squares, snowballs, and Fibs --
poetry
that rests
on
math.
My Temple host, Irina Mitrea, and I share something else besides being women who love mathematics -- the Romanian poet, Nichita Stanescu (1933-83), is a favorite for both of us. My October 23 posting ("On the Life of Ptolemy") offered one of Sean Cotter's recently published translations of poems by Stanescu and below I include more Stanescu-via-Cotter -- namely, two of the ten sections of "An Argument with Euclid." These stanzas illustrate Stanescu at his best -- irreverently using mathematical terminology and expressing articulate anger at seen and unseen powers of oppression.
This
Fib
poem
says THANK-YOU
to all those students
from Arcadia and Temple
who participated in "math-poetry" with me --
who held forth with sonnets, pantoums,
squares, snowballs, and Fibs --
poetry
that rests
on
math.
My Temple host, Irina Mitrea, and I share something else besides being women who love mathematics -- the Romanian poet, Nichita Stanescu (1933-83), is a favorite for both of us. My October 23 posting ("On the Life of Ptolemy") offered one of Sean Cotter's recently published translations of poems by Stanescu and below I include more Stanescu-via-Cotter -- namely, two of the ten sections of "An Argument with Euclid." These stanzas illustrate Stanescu at his best -- irreverently using mathematical terminology and expressing articulate anger at seen and unseen powers of oppression.
Labels:
Arcadia,
argument,
cube,
economy,
Euclid,
freedom,
Irina Mitrea,
Maria Lorenz,
Marion Cohen,
maximum,
minimum,
Nichita Stanescu,
poetry,
postulate,
Sean Cotter,
space,
sphere,
square,
Temple,
women
Tuesday, February 22, 2011
Poems of set paradox and spatial dimension
Universal Paradox by Sandra DeLozier Coleman
One gigantic set made of all that there is
Boggles the mind with paradoxes.
For it is greater than all, but smaller than this —
The set which consists of the subsets of it.
One gigantic set made of all that there is
Boggles the mind with paradoxes.
For it is greater than all, but smaller than this —
The set which consists of the subsets of it.
Labels:
cube,
dimension,
endpoint,
hypercube,
paradox,
perpendicular,
point,
Sandra DeLozier Coleman,
set,
space,
subset,
universal set
Thursday, July 22, 2010
Mathematics in poetry by Nichita Stanescu
Though formerly a math professor, my recent teaching has involved poetry--and I have been fortunate to spend several summer months at Scoala Andrei Muresanu in Deva, Romania, teaching poetry and conversational English.
Labels:
circle,
cube,
Deva,
Doru Radu,
Gabriel Prajitura,
mathematics,
Nichita Stanescu,
Romania,
Romanian,
sum,
translation
Monday, May 10, 2010
Margaret Cavendish (1623-73) -- The Circle of the Brain cannot be Squared
Margaret Cavendish (1623-73) was a writer who published under her own name at a time when most women published anonymously. Her writing addressed a number of topics, including gender equity and scientific method.
Labels:
arithmetic,
atom,
circle,
cube,
Euclid,
figure,
Margaret Cavendish,
mathematics,
number,
passion,
poetry,
point,
quantity,
quotient,
squaring the circle,
subtract,
triangle
Wednesday, March 24, 2010
Howard Nemerov's mathematical imagery
GETTING IT RIGHT IN LANGUAGE -- Poets and mathematicians alike are concerned with precise statement. Two-time US Poet Laureate Howard Nemerov (1920-1991) characterized poetry in a way that many mathematicians would likewise characterize their subject: POETRY is getting something right in language. Nemerov often used mathematical imagery in his poems. Here is a sample.
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