In these days when the truth-value of so much of what I hear broadcast is difficult to assess I have been drawn back to a poem by Emily Dickinson (1830-1886), given below. I used to agree with Dickinson; now I am less sure about how one may know the truth to tell it.
Tell all the truth but tell it slant — (1263) by Emily Dickinson
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
This poem and many others by Dickinson may be found online at PoetryFoundation.org where they note that Dickinson's work is reprinted by permission of the publishers and the Trustees of Amherst College from THE POEMS OF EMILY DICKINSON: READING EDITION, edited by Ralph W. Franklin, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998, 1999 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College. Source: The Poems of Emily Dickinson: Reading Edition (The Belknap Press of Harvard University Press, 1998).
Showing posts with label Emily Dickinson. Show all posts
Showing posts with label Emily Dickinson. Show all posts
Wednesday, September 13, 2017
Tuesday, August 13, 2013
Emily Dickinson
Although I do not consider any of Emily Dickinson's poems "mathematical," I find that she does not shy from using the terminology of mathematics. For example, her repetition of the word "circumference" noted in an earlier posting. (To search this blog for mentions of Dickinson (1830 - 1886) or any other poet or topic, follow the instructions offered in green in the column to the right.)
Dickinson is on my mind these recent days following my opportunity last Saturday evening to attend a session of a conference held by the Emily Dickinson International Society. A gracious invitation by Martha Nell Smith enabled me to attend a program that featured two long-time friends, actor Laurie McCants of the Bloomsburg Theatre Ensemble, performing a scene from her one-woman show, Industrious Angels, and Stephanie Strickland, a New York poet who, along with collaborator Nick Montfort, offered background and performance for Sea and Spar Between, a poetry generator that works with language patterns for these two writers.
Dickinson is on my mind these recent days following my opportunity last Saturday evening to attend a session of a conference held by the Emily Dickinson International Society. A gracious invitation by Martha Nell Smith enabled me to attend a program that featured two long-time friends, actor Laurie McCants of the Bloomsburg Theatre Ensemble, performing a scene from her one-woman show, Industrious Angels, and Stephanie Strickland, a New York poet who, along with collaborator Nick Montfort, offered background and performance for Sea and Spar Between, a poetry generator that works with language patterns for these two writers.
Wednesday, June 27, 2012
Emily Dickinson -- and circumference
Great poets may be investigated from many points of view. For Emily Dickinson (1830-1886), some have noticed that her work employs particular terms from mathematics. Including a much-quoted line -- "My business is circumference" -- in a letter to Colonel Thomas Wentworth Higginson, Dickinson is said to have used the word "circumference" in six letters and seventeen poems. For example, the word appears in both of the poems offered below:
When Bells stop ringing—Church—begins
The Positive—of Bells—
When Cogs—stop—that's Circumference—
The Ultimate—of Wheels.
Labels:
circumference,
Emily Dickinson,
mathematics,
poetry,
Seo-Young Chu
Thursday, October 20, 2011
A whole and its parts
Aristotle may have been the first to assert that a whole is more than the sum of its parts. Mathematics textbooks are likely to say otherwise, postulating that a whole is equal to the sum of its parts.
Emily Dickinson also comments on the matter.
(1341) by Emily Dickinson
Unto the Whole -- how add?
Has "All" a further realm --
Or Utmost an Ulterior?
Oh, Subsidy of Balm!
Emily Dickinson also comments on the matter.
(1341) by Emily Dickinson
Unto the Whole -- how add?
Has "All" a further realm --
Or Utmost an Ulterior?
Oh, Subsidy of Balm!
Labels:
Emily Dickinson,
equal,
greater than,
opposite,
sum,
whole
Friday, June 18, 2010
Three poems with the word "axiom"
Poems that contain "number" are numerous; those with "axiom" are less easily found. Here are 3 of them -- by 19th century American poet, Emily Dickinson (1830-1886), by Canadian poet and fiction writer, Margaret Atwood (b 1939), and by a poet from Virginia, Lesley Wheeler, whose work I recently have come to know. I particularly enjoy Lesley's poems about parenthood--because they ring true and also because when I was a parent of young children I was not finding time to write.
Labels:
axiom,
chaos,
create,
Emily Dickinson,
equation,
Lesley Wheeler,
Margaret Atwood,
mathematical,
mathematics,
nature,
poem
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